ࡱ> y Pbjbj D{{Hv  bbbbbvvv8|*v*,,,K*M*M*M*M*M*M*$\-0q*bq*bb,,*""" b,b,K*"K*""(),P>)7**0*)80 0()0b)\"kq*q*!*0 (: English 71: Introduction to Creative Writing Spring 2012 Dr. Kate Evans Section 07: T/Th 4:30-5:45 p.m. (BBC 126) Kate.Evans@sjsu.edu Office: FO 222 Office Hours: Office Phone: 924-4491 Wed. 2:15-4:15 and by appointment Fill your paper with the breathings of your heart. - William Wordsworth COURSE DESCRIPTION Introduction to Creative Writing (English 71) is a 3-unit lower-division course designed, adopted, implemented, and administered by the Department of English & Comparative Literature at San Jose State University in accordance with the Universitys General Education Program Guidelines to fulfill Core General Education requirements in the Letters area of Humanities & the Arts. In this course, we will read, discuss and write poetry, creative non-fiction and short fiction. The course will be taught using a combination of discussion and writing workshops. In the discussion, contemporary and historical published works will be closely read and analyzed. In the writing workshops, creative work by class members will be analyzed and critiqued for revision. LEARNING OBJECTIVES Decipher and understand the form and content of assigned literary works; Comprehend the historical and cultural contexts of assigned literary works; Recognize the accomplishments of and issues related to writing by women and men representing diverse cultural traditions; Acquire through both individual and collaborative/workshop efforts of a written and oral nature the skills necessary for reading, discussing, analyzing, interpreting, andmost importantlyemulating and writing works of poetry, creative non-fiction, and short fiction; Communicate such skills with clarity and precision; Develop an appreciation of literary works as expressions of human intellect and imagination, and as representations of diverse human cultures; Develop the ability to write literary works that express intellect and imagination and that represent diversity in human cultures Respond to literature through clear and effective communication in both written and oral work; Read and respond to texts with both analytical acumen and personal sensibility; Appreciate how literary works illuminate enduring human concerns while at the same time representing their particular cultures; Write works of poetry, creative non-fiction, and short fiction that are of interest and value to the writer, to other students in the course, and to a diverse reading audience. ENGLISH DEPARTMENT LEARNING OBJECTIVES Students will demonstrate the ability to 1) read closely in a variety of forms, styles, structures, and modes, and articulate the value of close reading in the study of literature, creative writing, or rhetoric. (Objective met via reading assignments, writing assignments and discussions.) 2) show familiarity with major literary works, genres, periods, and critical approaches to British, American, and World Literature. (Objective met via reading assignments and discussion.) 3) write clearly, effectively, and creatively, and adjust writing style appropriately to the content, the context, and nature of the subject. (Objective met via writing assignments and critical reflection.) 4) develop and carry out research projects, and locate, evaluate, organize, and incorporate information effectively. (Objective met via Literary Event Research Paper.) 5) articulate the relations among culture, history, and texts. (Objective met via reading assignments, writing assignments and discussions.) REQUIRED TEXTS Short Takes: Brief Encounters with Contemporary Nonfiction. Judith Kitchen, Editor. Flash Fiction Forward. James Thomas & Robert Shapard, Editors. Good Poems for Hard Times. Garrison Keillor, Editor. Reader. Available at Maple Press, 481 E. San Carlos (will be delivered Feb. 2 in class) RECOMMENDED WEBSITES Six-word memoirs: http://smithmag.net/sixwords/ Videos of poems read aloud: http://www.favoritepoem.org/videos.html To see clips from Def Poetry Jam: http://www.youtube.com/results?search_query=def+poetry Spoken word poetry: http://spokenwordart.com/videos.php Reed, 91s literary magazine: http://www.reedmag.org/drupal/ 91 Writing Center: http://www.sjsu.edu/writingcenter COURSE REQUIREMENTS In-class Writing Exercises and Other Activities: Class will be a place you experiment with free-writing, various writing exercises, and responses to what you are experiencing and reading. You will be asked to write and share with classmates at most class sessions. To receive full credit, you must be in class and must be prepared. Please keep all of these writing exercises in a notebook; often they will be developed into longer assignments. (Please note that these must be completed in class and cannot be made up/turned in late.) Creative Writing and Workshop: Each student will revise and submit the following new writing. This includes bringing copies for workshop and participating in workshop. Self-Portrait diagnostic & revision 1 fiction piece (either flash fiction of approximately 2-4 pages or a short story of approximately 5-10 pages) 3 poems (in free verse and traditional forms) 1 creative nonfiction piece (approximately 4-10 pages) Literary Event and Research Paper: You will attend a literary event this semester on or off campus. Before and/or after the event, research this writer by perusing this writers webpage and blog, by examining interviews and reviews, etc. Write an approximately 3-page paper that focuses on: What you learned in your research of this writer. What was most interesting, surprising, illuminating? Incorporate 2-3 direct quotes (using quotation marks) by or about the writer. Include a bibliography at the end of the paper that indicates your sources. (Use correct bibliographic form following the handbook you used in your freshman composition course.) Your personal response to the event: What did you like and why? What did you learn? What surprised you and why? What did you find interesting and why? What questions did it raise? Would you attend a similar event again? Why or why not? Etc. At the top of your paper list the title of the event, and the day, time and location. For information about literary events see: www.litart.org (Center for Literary Arts at 91) http://www.sjsu.edu/english/events (English Department Events listed) http://www.sjsu.edu/studentaffairs/mosaic/ (MOSAIC Poetry Series/Spoken Word Events) www.sjsu.edu and click on Events Extra Credit: For Extra Credit, you may attend more literary events and write more papers, following the same directions as above. may attend more for Extra Credit; each one adds 1% to your grade if the paper fulfills the assignment, is well-written and virtually error-free. Write EXTRA CREDIT at the top.) . Final: Student Poetry Reading. You will have 2-3 minutes to read (or perform) in a lively, engaging way 1-2 of your poems. You can introduce your poems briefly to situate the audience (e.g.: This story/poem came to me when I thought about ). Always include the title in the performance. You must practice projecting and timing your piece. Get your audience intrigued and interested. You can include visuals, music or props if you like. You can also have another student or friend join you in the reading to make it especially interesting and lively (for instance, that person might provide visuals, music, sound effects, or another voice reading part of the piece). Course grade will be determined this way: In-class activities and short homework assignments 25% Memoir piece 15% Short Story 15% Poems 15% Participation in workshops* 15% Literary Event paper 10% Final (Poetry Reading) 5% * For full credit, you must bring required copies of your pieces, and you must participate the whole class session. GRADING A: Creative writing that receives an A is likely to: Fulfill all assignment requirements Demonstrate complex, unique and/or insightful approach Function well as a whole Demonstrate engaging voice Incorporate strong word choices Incorporate, where appropriate, striking imagery Lack clichd or over-used language Incorporate unusual/unique associations that fit the tone of the piece Lack spelling and punctuation errors, typos, etc. B: Creative writing that receives a B is likely to: Fulfill most of the assignment requirements Demonstrate insightful approach Function generally well as a whole Demonstrate a generally engaging voice Incorporate some strong word choices Use some concrete imagery Mostly lack clichd or over-used language Mostly lack spelling and punctuation errors, typos, etc. C: Creative writing that receives a C is likely to: Neglect some aspects of the assignment requirements Be derivative of other works Not completely function as a whole (some parts may be underdeveloped) Incorporate some strong, and some weaker, word choices Lack concrete imagery Include clichd or over-used language Have some spelling and punctuation errors, typos, etc. D: Creative writing that receives a D is likely to: Not fulfill the assignment requirements Not function as a whole Be a cursory response that demonstrates lack of motivation and/or poor understanding of the assignment F: No response. (Note: Graded assignments will be based on this criteria, which will be discussed in class. All assignments, graded and non-graded, will receive written feedback from instructor based on this criteria, as applicable.) POLICIES Late Work. Only longer, graded assignments can be turned in late (not small in-class activities or homework assignments, which are ungraded; students receive credit for completing them). Late work receives a reduction of 1 grade per class session it is late. You must write at the top of the paper the number of class sessions it is late. If you have to miss class the day something is due, arrange to have a classmate turn it in if you do not want a grade reduction. In-class activities and small homework assignments, which are worth 25% of your grade, cannot be turned in late. (If you miss a class session,, consider doing some extra credit). No Work by Email. No work in my mailbox. No Exceptions. I do not accept work by email or in my campus mailbox. If you need to miss a class session, ask a classmate to turn in your work and to collect handouts and assignments for you. Your Responsibility If Youre Absent. If you miss class, do not email me and asked if you missed anything important (you did). Instead, contact classmates to get notes, assignments, etc. It is your responsibility to figure out whats going on and to show up prepared the next class session. Please do not make your absences extra work for me. Paper format: * Typed in 12-point Times New Roman * Double spaced (for poetry, 1.5 spaces) * Stapled BEFORE class (buy a stapler if you dont own one) * Name and page number on each page * Name, date, and class time on first page Be Fully Present. No electronic devices are to be on/used/visible during class. No cell phones, iPods, texting, internet, etc. during class. 91 Grading Policy: The Department of English reaffirms its commitment to the differential grading scale as defined in the 91 Catalog (The Grading System). Grades issued must represent a full range of student performance: A=excellent; B-above average; C=average; D=below average; F=failure. Courses graded according to the A, B, C, No Credit system shall follow the same pattern, except that NC (No Credit) shall replace D or F. In such classes, NC shall also substitute for W (Withdrawal) because neither grade (NC or W) affects students GPA. Academic Integrity: Your own commitment to learning, as evidenced by your enrollment at San Jose State University and the University's Integrity Policy, require you to be honest in all your academic course work. Faculty members are required to report all infractions to the Office of Judicial Affairs. The policy on academic integrity can be found at: http://sa.sjsu.edu/judicial_affairs/index.html. Campus policy in compliance with the Americans with Disabilities Act: If you need course adaptations or accommodations because of a disability, or if you need special arrangements in case the building must be evacuated, please make an appointment with me as soon as possible, or see me during office hours. Presidential Directive 97-03 requires that students with disabilities register with the DRC to establish a record of their disability. Any student needing special assistance should contact Disabled Student Services, located in Administration 110. Course Schedule (This course schedule is subject to additions and changes.) WeekDateWhats on Tap1 2Th 1/26 T 1/31 Th 2/2Introduction to class; creation of groups; beginning to write. Self Portrait diagnostic assigned. Bring Short Takes. Card with your name and picture due. Readings from Short Takes. Discussion: What is Creative Nonfiction? Reader delivered to class (bring cash). 3T 2/7 Th 2/9Readings from Short Takes. Self-Portrait diagnostic due. Readings from Short Takes. 4 T 2/14 Th 2/16Readings from Short Takes. Creative Nonfiction assignment discussed and begun. Read Rae Armantrout (Reader). Wednesday 2/15: Rae Armantrout, MLK Library 2nd Floor Meeting Rooms, 7 p.m. AND Thursday 2/16: Rae Armantrout in conversation with Juliana Spahr, MLK Library 2nd Floor Meeting Rooms, 1 p.m. Bring 2 copies of the opening of your Creative Nonfiction piece.5 T 2/21 Th 2/23Readings from Short Takes. Creative Nonfiction workshop (bring 3 copies and be on time for full credit)6 T 2/28 Th 3/1Creative Nonfiction piece due. Share and discuss. Begin Fiction: What and Why? Readings from Flash Fiction Forward.7 T 3/6 Th 3/8Read Yiyun Li (Reader) Wednesday 3/7: Yiyun Li, Engineering Auditorium 189, 7 p.m. Readings from Flash Fiction Forward.8 T 3/13 T 3/15Readings from Flash Fiction Forward. Readings from Flash Fiction Forward.9 T 3/20 Th 3/22 T & Th 3/27 & 3/29Read Julia Scheeres (Reader). Fiction assignment discussed. Wednesday March 21: Julia Scheeres, MLK Library 2nd Floor Meeting Rooms, 7 p.m. Readings from Flash Fiction Forward. Bring 2 copies of the opening of your fiction piece. SPRING BREAK 10 T 4/3 Th 4/5Readings from Flash Fiction Forward. Read Juan Felipe Herrera (Reader). Wednesday April 4, 7 p.m., Juan Felipe Herrera, MLK Library 2nd Floor Meeting Rooms. Fiction workshop (bring 3 copies for full credit) 11 T 4/10 Th 4/12Fiction piece due. Share and discuss. Introduction to Poetry. Readings from Good Poems for Hard Times. Readings from Good Poems for Hard Times. Poem #1 discussed. Read Geoffrey Wolff (Reader). 12  T 4/17 Th 4/19Geoffrey Wolff, Tuesday 4/14: 1) 1 p.m. in conversation with Tobias Wolff, and 2) 7 p.m. Reading. Both events take place in the MLK Library, 2nd Floor Meeting Rooms. Readings from Good Poems for Hard Times. Poem #1 workshop (bring 4 copies for full credit)13 T 4/24 Th 4/26Poem #1 due. Readings from Good Poems for Hard Times. VISITING POETS: Mark Heinlein, Danielle Roberts and T.J. Flores. 14 T 5/1 Th 5/3Readings from Good Poems for Hard Times. Poem #2 assigned. Poem #2 workshop (bring 4 copies for full credit) 15 T 5/8 Th 5/10Poem #2 due. Spoken word poetry discussed. Readings from Good Poems for Hard Times. Discuss Final. Poem #3 assigned.16 T 5/15 Wed. 5/23 2:45-5 p.m.Poem #3 workshop (bring 4 copies for full credit) Practice for Final. FINAL. Due this day: Poem #3 and Literary Event paper. Optional Extra Credit due. Finals Activity: A class poetry reading.  ENGL 71: Introduction to Creative Writing Diagnostic Writing Write a piece based on the following prompt: Read (aloud) the poem Self-Portrait by Adam Zagajewski. Notice the details included in the text. Notice the order and organization of detailshow they are arranged in the text. Write a poem or a prose piece of at least 250 words that is your self-portrait. Select interesting details as Zagajewski has done, arranging them in such a way as to reveal interesting things about yourself. DUE:_______________________ (Must be typed using a readable font, such as Times New Roman) SELF PORTRAIT Between the computer, a pencil, and a typewriter half my day passes. One day it will be half a century. I live in strange cities and sometimes talk with strangers about matters strange to me. I listen to music a lot: Bach, Mahler, Chopin, Shostakovich. I see three elements in music: weakness, power, and pain. The fourth has no name. I read poets, living and dead, who teach me tenacity, faith, and pride. I try to understand the great philosopherbut usually catch just scraps of their precious thoughts. I like to take long walks on Paris streets and watch my fellow creatures, quickened by envy, anger, desire; to trace a silver coin passing from hand to hand as it slowly loses its round shape (the emperors profile is erased). Beside me trees expressing nothing but a green, indifferent perfection. Black birds pace the fields, waiting patiently like Spanish widows. Im no longer young, but someone else is always older. I like deep sleep, when I cease to exist, and fast bike rides on country roads when poplars and houses dissolve like cumuli on sunny days. Sometimes in museums the paintings speak to me and irony suddenly vanishes. I love gazing at my wifes face. Every Sunday I call my father. Every other week I meet with friends, thus proving my fidelity. My country freed itself from one evil. I wish another liberation would follow. Could I help in this? I dont know. Im truly not a child of the ocean, as Antonio Machado wrote about himself, but a child of air, mint, and cello and not all the ways of the high world cross paths with the life thatso far belongs to me. Adam Zagajewski (translated by Clare Cavanagh)     ENGLISH 71: INTRODUCTION TO CREATIVE WRITING, EVANS PAGE  PAGE 8 -.9:;^cgjnH m n p q    _ ` b t u p r ߾ңҘ|xoiaWh 1CJOJQJh 1OJQJ h 1CJh!j6CJaJh!j h!j6h 16CJaJhh 15CJOJQJh 15CJOJQJhh 1CJOJQJhp B*CJOJQJphhfLCJOJQJhp CJOJQJhrih 1CJOJQJh 1CJOJQJhrih 15hp hrih 1h 1".:;H q    ` a b u  0\ *$gd 1 0\ *$gd 1gd!jgd 16 \ $$d%d&d'd*$-DM NOPQgd 1 -DM gd 1$-DM a$gd 1 q r eF 0\ h*$^hgd 1 & F 0\ *$gd 1gd 1 0\ *$gd 1r ]^@Zp'*?Qo #ƺƺƮƺƺƺޣ|rrhrh\kh 16CJh\kh 1>*CJ hp CJhunh 16CJh}Ah 16CJ h 1CJ h 16CJh 15CJOJQJh 10JB*CJphh 1B*CJ$aJ$phh 1B*CJphh:h 15CJOJQJh 1CJOJQJhh 1CJOJQJaJh 156>*%Z)*?oG4c & F gd 1 gd 1 gd 1 0\ *$gd 1  \ gd 1#FGKh +23ގ~xoeYhNSph 1>*CJ]h 16>*CJ]hkh 1CJ hp CJ h 16CJhyDh 1CJhyDh 1>*CJh2h 1CJaJh 1CJaJh2h 1>*CJaJh 1>*CJaJh 1CJOJQJh 15CJOJQJh#?qh 1CJ h 1CJhEh 16CJ h 1>*CJh+^h 1>*CJ, !!!!%"z"""##~&&&gd 15$7$8$9DH$^gd 1 5$7$8$9DH$gd 1 & F5$7$8$9DH$gd 1 & F gd 1 gd 1~!!!!!!!"$"%"O"P"y"z"""""#####~&&&ɽ۱ۨ|ۈvovcYh 1CJOJQJhh 16CJ] h 1>*CJ h 1CJhunh 1>*CJ]hunh 1CJ]hunh 15CJ]h5Rh 1CJ]h 15CJ]h5Rh 15CJ]h+h 15CJ]hGh 1CJhunh 1CJ h 1CJ]h 16CJ]h -Ph 1>*CJ]h 1>*CJ]&&&&&&A'B'H'K'Y'Z'_'`'a'i'j'''' ( (((....ӸӸӸӸӸӸӸvi[I#hd h 15>*B*CJaJphhDh 15CJOJQJh7h 1CJOJQJh7h 1CJOJQJh 15CJOJQJh<h 1CJOJQJaJhDh 1CJOJQJaJh 1CJOJQJaJhDh 1CJOJQJaJhh.CJOJQJaJh 1CJOJQJaJh%Zh 16CJOJQJaJhDh 16CJOJQJaJ&&&&'$'K'j''' ( ((N(r( & F`gd 1  & Fgd 1gd 1*$d%d&d'dNOPQgd 1-$$d%d&d'dNOPQa$gd 1r(((()3)V)))) *6*W*{****+I+J++++,S,j,, & F`gd 1  & Fgd 1,,,-*-C------.....6171%2&233333 4h^hgd 1h5$7$8$9DH$^hgd 1  & Fgd 1..f/000001516171H1I1a1n1z1112$2&2J2`22222K3W33ٺ{{lll{lll[l hPh 16B*CJaJphh@(h 1B*CJaJph#h@(h 15>*B*CJaJphh 15>*B*CJaJphh7h 1B*CJaJphh<h 1B*CJaJph h}-vh 16B*CJaJphhh.6B*CJaJphh 16B*CJaJphhh.B*CJaJphh 1B*CJaJph3333394B4Z4d4r4s4t44455555.7/7o\K>hDh 1B*CJph!hDh 1B*CJOJQJph$hDh 15B*CJOJQJph'hDh 15>*B*CJOJQJph!h 15>*B*CJOJQJph hPh 16B*CJaJphh~0h 1B*CJaJphh 1B*CJaJphh@(h 1B*CJaJph#h@(h 15>*B*CJaJph h@(h 1>*B*CJaJphh 1>*B*CJaJph 4F4s4t455/70788:::::;@;A;F;K;Y; $$Ifa$gd 1gd 1 $a$gd 1gd 1h5$7$8$9DH$^hgd 1h^hgd 1/707B7C78889 9::::;;?;@;X;Y;^;ƹ񭣚r^Q^=929 hff h 1h 1&hVIh 15CJOJPJQJ\aJhah 1CJOJQJ&heh 15CJOJPJQJ\aJ hfL5CJOJPJQJ\aJh 1CJOJQJhh.h 1B*CJphhh.h 1CJhh.h 1>*CJhh.h 15>*CJhDh 1B*CJphhDh 1CJOJQJhDh 15CJOJQJhDh 15>*CJOJQJhDh 1>*CJOJQJY;Z;\;];_;g;h;o;p;q;x;;wneeneeeeen $Ifgd 1 $Ifgd 1kd$$Ifl4rF#`0$    4 la ^;_;f;h;n;q;w;x;;;;;%<0<\<<<<<<<<<<<<<<<<<<<<=======)=,=a=}=========!>#>@>A>ƾƷ񳪢 hE6 h06hEhE6H*hEhE6 hM6h0hE h9h9hah96h9 h 15hah 15 hJh 1hah 16hM hh 1h 1h hr5h 18;;<<<<<<<<<hkd$$IflF#`0$    4 la $Ifgd 1 $Ifgd 1 <<<<<<=====qh_h____ $Ifgd 1 $Ifgd 1kd5$$IflF#`0$    4 la $Ifgd9 =======@>A>>>hkd$$IflF#`0$    4 la $IfgdE $Ifgd 1 A>>>>>>>>>>>>>>>??? ? ???2?H?h?i?j?x???????????????@@@@ @!@'@)@/@0@>@٦릞ًhR hOhMhu~hM6h/hM6hMh' h'Qh 1hu~h 16h0h%h 15h*hmh 15hah 16 h!h 1h hr5h 1h 1h Eh 16h*hmhE54>>>>>>>>???? ?hkdU$$IflF#`0$    4 la $Ifgd 1 $Ifgd 1 ? ??i?j?????????qhh $Ifgd 1kd$$IflF#`0$    4 la $Ifgd 1 ?????@@ @!@(@)@0@qhh $Ifgd 1kd$$IflF#`0$    4 la $Ifgd 1 >@S@T@U@V@d@y@z@{@~@@@@@@@@@@@@AA8A9A:AHA]A`AAAAAAAAAAAAAAABBBCB¸±Շh'hR6 h!h 1 hzPh h 5 h 15hnh 15h 1OJQJaJ hRhRhRhR6H*hRhR6h/ h!h h hr5h 1 h8h 1hu~h 16h 1hRhu~hR6.0@U@V@{@|@~@@@@@@h__ $Ifgd 1kd$$IflF#`0$    4 la $Ifgd 1 $IfgdR @@@@@@@@@@8A9A:AAAAAA $IfgdR $Ifgd 1 $Ifgd 1AAAAAAAAAAABBzqhqhhhhhhhh $Ifgd 1 $Ifgd 1kd$$IflF#`0$    4 la CBEB[B\BBBBBBBBBBBB CCCCC7CLCnCoCsCtCwC}CCCCDD/D0D>DWD[D\DDDDDüέέΏ}έumhsh 15h_^h 15hRhR6H*hRhR6h>Rg he h 1 hRCJ h%h 1 h 1CJhunh 16CJ h 15 h!h 1h hr5h 1h 1hhh 16h%h 15hnh 15hRh'hR6h'hR6H**B[B\BBBBBBBBBCCqhh $Ifgd 1kdO$$IflF#`0$    4 la $Ifgd 1 CoCpCsCtCuCvCwC~CCC/D0Dqhhhhh $Ifgd 1kd $$IflF#`0$    4 la $Ifgd 1 0D[D\DDDDDDDDDDqhh $Ifgd 1kd$$IflF#`0$    4 la $Ifgd 1 DDDDDDDDDDDEE#E$E)E+E1E2E@EYEmEnEoEvEEEEEEEEEEEEEEEE FF0F1F5F6FRg h/h 1hRh_^h 15h_^hR5 hR5 h05 h0h0hunh06CJ hr5h 1 h_h 1h0 h 1CJ h0CJ h06CJhunh 16CJ h 15 h!h 1h 1h>Rg2DEE E#E$E*E+E2EnEh__V $IfgdR $Ifgd 1kd)$$IflF#`0$    4 la $Ifgd 1 $Ifgd0 nEoEEEEEEEEEEh__ $Ifgd 1kd$$IflF#`0$    4 la $Ifgd 1 $IfgdR EEF1F2F5F6F=F>F?FIFaXX $Ifgd 1kdW$$IflF#`0$    4 lap $Ifgd 1 IFUFFFFFGGGG Ga\\gd 1kd $$IflF#`0$    4 lap $Ifgd 1 \FFFFFFFFFFGGGG G!GKG^GGIIII!I>IrIvI|IPPPPﭧm]mTh'h 1CJh 1B*CJOJQJ^Jph%h Fh 1B*CJOJQJ^Jph!h 15B*OJQJ\^Jphh 1B*CJOJQJ^Jph h 1CJ h 1CJ h 15hh 1aJ h 1aJh 1CJaJ h!h>Rg hh>Rghk)h>Rg5hk)h>Rg5aJ h>RgaJh 1h>Rgh_^h 15 G!GKG^G_G`GaGbGGGGGGGHHIHIII dd[$\$gd 1 & F5$7$8$9DH$gd 1 & F5$7$8$9DH$gd 1 & F5$7$8$9DH$gd 1$a$gd'$a$gd'gd 1III I!I}IIIIIII$JPJJJJ K*CJOJQJDA`D Default Paragraph FontRi@R  Table Normal4 l4a (k (No List .)@.  1 Page Number>B@>  1 Body Text CJOJQJ<@<  1Header  !OJQJLQ@"L  1 Body Text 3 0\ *$ CJOJQJN^@2N  1 Normal (Web) ddB*OJPJph,OA,  1 yshortcutsPoP  1 Table text <<CJ_HaJmH sH tH bO!bb  1contact headingxx5$7$8$9DH$6CJOJQJH@rH 7 Balloon TextCJOJQJ^JaJN/N 7Balloon Text CharCJOJQJ^JaJPK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭V$ !)O^rC$y@/yH*񄴽)޵߻UDb`}"qۋJחX^)I`nEp)liV[]1M<OP6r=zgbIguSebORD뛟qu gZf~ٺlAplxpT0+[}`jzAV2Fi@qv֬5\|ʜ̭NleXdsjcs7f W+Ն7`g ȘJj|h(KD- dXiJ؇(x$( :;˹! I_TS 1?E??ZBΪmU/?~xY'y5g&΋/ɋ>GMGeD3Vq%'#q$8K)fw9:ĵ x}rxwr:\TZaG*y8IjbRc|XŻǿI u3KGnD1NIBs RuK>V.EL+M2#'fi ~V vl{u8zH *:(W☕ ~JTe\O*tHGHY}KNP*ݾ˦TѼ9/#A7qZ$*c?qUnwN%Oi4 =3N)cbJ uV4(Tn 7_?m-ٛ{UBw6A)&!bvU,޲"zbf5fkpέV9pyahRCBT~CmEBd Adm0iRִY뤭o|O[KvEssr"Yر[hjq~11_8z L&;CL@[f_PK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!štheme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK] H/ uuuuuxr #&.3/7^;A>>@CBD\FPP),.01568:>BFJOS &r(, 4Y;;<=> ??0@@ABC0DDnEEIF GILPP*+-/23479;<=?@ACDEGHIKLMNPQRThoqx!8@0(  B S  ?-./0123456789:;<//8>xx////CCH     7=HH////CCH   8*urn:schemas-microsoft-com:office:smarttagsCity=*urn:schemas-microsoft-com:office:smarttags PlaceName=*urn:schemas-microsoft-com:office:smarttags PlaceType9*urn:schemas-microsoft-com:office:smarttagsplace 2223j5t55555 667777889 9??@@GGHHHHHHHHHH H!H}HHHH $ gqZprOY#& !!#H#%%%%&&))%000H7V7AA$A&AAA$B(BBB CCRgY ,7!j9fLHH@Hx@Unknown G*Ax Times New Roman5Symbol3. *Cx Arial?= *Cx Courier New;WingdingscCG Times (W1)Times New Roman71 CourierI. ??Arial Unicode MS5. .[`)TahomaA$BCambria Math"1hwwn S=$ S=$!24GG3qHX ? 12! xx -English 71: Introduction to Creative WritingKateGabriel Rabanal(       Oh+'0t  $ 0 < HT\dl0English 71: Introduction to Creative WritingKateNormalGabriel Rabanal2Microsoft Office Word@@@{@{ S=՜.+,0 hp|  $G .English 71: Introduction to Creative Writing Title  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUWXYZ[\]_`abcdefghijklmnopqrstuvxyz{|}~Root Entry FXData V1Table^0WordDocumentDSummaryInformation(wDocumentSummaryInformation8CompObjr  F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q